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Men At War: What Fiction Tells us About Conflict, From The Iliad to Catch-22, by Christopher Coker
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Since Achilles first stormed into our imagination, literature has introduced its readers to truly unforgettable martial characters. In Men at War, Christopher Coker discusses some of the most famous of these fictional creations and their impact on our understanding of war and masculinity. Grouped into five archetypes-warriors, heroes, villains, survivors and victims-these characters range across 3000 years of history, through epic poems, the modern novel and one of the twentieth century's most famous film scripts.
Great authors like Homer and Tolstoy show us aspects of reality invisible except through a literary lens, while fictional characters such as Achilles and Falstaff, Robert Jordan and Jack Aubrey, are not just larger than life; they are life's largeness-and this is why we seek them out. Although the Greeks knew that the lovers, wives and mothers of soldiers are the chief victims of battle, for the combatants, war is a masculine pursuit. Each of Coker's chapters explores what fiction tells us about war's appeal to young men and the way it makes- and breaks-them. The existential appeal of war too is perhaps best conveyed in fictional accounts, and these too are scrutinized by the author.
- Sales Rank: #999144 in Books
- Published on: 2014-06-01
- Original language: English
- Number of items: 1
- Dimensions: 5.70" h x 1.00" w x 8.60" l, .0 pounds
- Binding: Hardcover
- 325 pages
Review
"A fascinating study. . . War still provides the most potent myths, and writers continue to be fascinated by it, just as they are by war's effect on the individual. In just 300 pages, Christopher Coker provides an unusually rewarding feast of perceptive analysis."--The Telegraph
"No military airport is without its soldiers nose-deep in books on men's experience of war, from Homer to Andy McNab; of course not only soldiers who are influenced by this kind of book. At a time when imagination all too often takes the place of experience in modern decision-making on conflict, Men at War is essential reading. Coker's razor sharp critical insight puts war-fiction in its proper historical and contemporary context."--Frank Ledwidge, author of Losing Small Wars: British Military Failure in Iraq and Afghanistan
"To quote Ernest Hemingway, a writer's standard of fidelity to the truth should be so high that his invention, out of his experience, should produce a truer account than anything factual can be. By collecting, organizing and analyzing the best fictional accounts of war, Christopher Coker has enriched our understanding of conflict in a way few other modern books can match."--Martin van Creveld, author of The Culture of War and The Changing Face of War: Lessons of Combat from the Marne to Iraq
"This thoughtful analysis of the great characters of war literature has an insight or new perspective on every page. I read it in one sitting, the whole time feeling that I was in the hands of a master teacher."--Karl Marlantes, author of Matterhorn: A Novel of the Vietnam War
'... an exciting book. ...It serves as a timely reminder of everything that is good about reading fiction' -- War on the Rocks
"... full of acute literary insights, wit, and a tremendous amount of human sympathy." --A.S.H Smyth
"Remarkable, both in terms of scope and detailed substance. ... Coker's writings on the subject of war are highly original and full of profound insights." -- International Affairs
"Coker has produced a book that not only helps readers to understand war, but also how to read literature purposefully. He draws from fiction insights that help mature one's personal character and professional expertise ... an extraordinary book." --Survival
About the Author
Christopher Coker is Professor of International Relations at the London School of Economics. He is the author of Barbarous Philosophers: Reflections on the Nature of War from Heraclitus to Heisenberg and Warrior Geeks, both available from Oxford University Press, USA.
Most helpful customer reviews
1 of 1 people found the following review helpful.
The Literary Warrior
By T. Berner
I agree with the previous reviewer that the editing could be improved, but what publisher these days bothers to treat its authors and their readers properly? This generations Maxwell Perkinses are busy schmoozing new authors, not perfecting the works of the writers they already have.
That said, this book is very valuable, discussing how writers can capture the personalities of warriors, heroes, victims, survivors and villains other participants in warfare. He devotes a chapter to each of the types of participants listed above and within each chapter, five or six subchapters each devoted to a single character from literature, from Homer's Achilles to Fraser's Flashman, using each character to highlight aspects of the subject. He manages to cram a lot of information and insight into a very readable book. There are characters (and maybe even categories) one misses - I would have loved to read the author's views on Colonel Nichols from James Gould Cozzens' Guard of Honor, but he was a moral hero more than a physical one, so I don't know where Mr. Coker would have placed him.
Mr. Coker's judgments are, to my mind, sound, even where I don't agree with him. There is only one point on which I strongly disagree. Like me, Mr. Coker doesn't think Catch-22 is great literature, although he subscribes to the anti-war message of the book, which makes him a little more tolerant of the World War II setting of an anti-war novel. There is a particular character in Catch-22 whom I find to be particularly disturbing, an old Italian peasant who argues with Nately about the senselessness of war. He tells Nately (with Yossarian looking on) that it doesn't matter who wins wars, that he was sitting on his doorstep when the Germans moved in and that he was sitting on his doorstep when they moved out. Like all critics who want to like the book, Mr.Coker calls the peasant "cynical," but that is not how the character is written at all. He is the moral center of the book. Nately argues until he is blue in the face and the peasant gets the best of him. If the peasant had merely pointed out that he was not Jewish and therefore was not hauled away by the Nazis to a death camp, then he would obviously appear to the reader as cynical and Catch-22 might have been more compelling than propaganda for high school freshmen. When Joseph Heller failed to make that point about the necessity of war, his book became morally repugnant.
Don't let that cavil put you off this book, however. It has some thoughtful things to say about war and also introduces or reintroduces the reader to a number of great works of literature.
1 of 2 people found the following review helpful.
Four Stars
By D.O.L.
Valuable read but poorly edited
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